From Jessica Flint, in Vanity Fair
The first thing that struck me when I met 2006 Turin silver medalist Gretchen Bleiler earlier this year was how much bad ass is contained in such a little frame. After all, the five-foot-five-inch half-pipe snowboarder is best known for a daredevil trick called the Crippler 540—an inverted aerial move with one and a half rotations and a backflip. “But new for this year will be a Crippler 720,” the 28-year-old e-mailed me last week, “where you rotate 180 degrees more.” Yowsers.
Bleiler was in New York City last summer unveiling her winter 2010 Oakley snowboarding outerwear and clothing line. After having skied Park City wearing her faux-fur-trimmed jacket, flattering snow pants, and super-soft organic T-shirts a few months before, I was looking forward to seeing her new pieces. From the playful urban hints on this season’s coat—including a graffiti graphic and toggle buttons—to snowboarding pants with an adjustable gathered cuff, I nearly forgot that the blonde sartorialist walking me through her stylish collection is also a three-time X Games gold medalist who can throw down tricks that put the word “extreme” in the term “extreme sports.”
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From Michael Mewshaw, in The Washington Post
Pro tennis could teach the mafia about omertà. Although dozens of champions have chattered away to ghostwriters, their memoirs have generally remained silent about the game’s seamy realities. Presented to the public as clean family fun, an upscale entertainment for the country-club set, top-level tennis is actually played by the physical and emotional mutants of a misery machine that leaves them too ill-educated or psychically damaged to understand what has happened to their lives. Like most victims of abuse, they’d rather not talk about it.
So it’s both astonishing and a pleasure to report that Andre Agassi, who was castigated for an ad campaign saying “Image is everything,” has produced an honest, substantive, insightful autobiography. True to the genre of jock hagiography, it has its share of stock footage — total recall of famous matches, the thrill of victory, the agony of defeat and an upbeat ending. But the bulk of this extraordinary book vividly recounts a lost childhood, a Dickensian adolescence and a chaotic struggle in adulthood to establish an identity that doesn’t depend on alcohol, drugs or the machinations of PR.
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